Requiem

 Lauren Oliver

Rating: ⭐⭐½
Genre: Dystopia + Young Adult + Romance

Requiem is the conclusion to the Delirium series. In this book, the conflict between the Wilds and the cured society reaches turmoil. The story alternates between Lena, who continues fighting alongside the resistance, and Hana, now living the life the cure was supposed to guarantee and questioning her new life.

The revolution takes over in this installment, and the story focuses more on the political unrest and the characters' relationships. Lena (like most YA books of that era) is torn between Alex and Julian, while Hana is trying to figure out the society that promised her hapiness once she is cured. Seeing events unfold from both sides adds some welcome perspective, gradually revealing the cracks beneath the polished surface of the cured world.

The story builds toward a large-scale confrontation, trying to balance romance, revolution, and personal growth all at once. Whether it succeeds probably depends on what each reader was hoping to get from the finale. Rather than wrapping everything up neatly, the ending leaves several threads unresolved, inviting readers to imagine what comes after instead of providing clear-cut answers.

I rated Delirium 3 stars, Pandemonium 2.5 stars, and now Requiem lands at 2.5 stars as well. Looking back, I don't think the trilogy ever settled on a clear identity. In some ways, it feels like Lauren Oliver was experimenting with different ways of telling the story. The first novel stays entirely with Lena's perspective, the second jumps between two timelines, and the finale introduces alternating chapters from Lena and Hana. I can appreciate an author trying something different, but the constant shifts in narrative structure made the series feel a little disjointed. At times, it almost felt as though each installment belonged to a different version of the same story. Ironically, the straightforward approach of the first book still worked best for me.

The surprise for me in this installment was how much more I enjoyed Hana's chapters. I think her perspective brought a sense of mystery and tension that Lena's storyline often lacked. Lena's chapters frequently circled around the same familiar emotional conflicts, whereas Hana's struggle between duty, expectation, and her own sense of self kept me far more invested.

Like so many Young Adult dystopian novels from this period, the obligatory love triangle once again becomes a major focus. Sometimes it feels as if publishers believed a YA dystopian novel simply wasn't complete without one. For me, that's where the story loses some of its potential. 

The political conflict and the questions surrounding the society are far more interesting than the romantic drama, yet they often take a back seat. It doesn't help that Alex and Julian never really developed into especially memorable characters. Across all three books, they remain surprisingly one-dimensional, which makes the emotional weight of Lena's choices feel less convincing than it probably should.

Lauren Oliver's writing is easy to read, and I think it is accessible to most readers. The ideas are certainly there, but they never felt as fully explored as the premise seemed to promise. I kept waiting for the series to dig a little deeper, and it never quite did.

Now that I've finally finished the trilogy, these books will be moving on to a new home. They're part of my summer shelf-cleaning project, where I'm revisiting older purchases and deciding which ones have earned a permanent place on my shelves. Unfortunately, this series didn't make the cut. I'm glad I stuck with it to the end, if only to satisfy my curiosity, but I can't see myself returning to it. The first book remains the standout, while the trilogy as a whole never quite lived up to the potential of its premise.

Key Themes;

• Love 
• Control
• Survival
• Resilience
• Freedom
• Grief
• Resistance

Dead to the World

 Charline Harris

Rating: ⭐⭐⭐ ½

Genre: Fantasy

Dead to the World feels like a bit of a shift in the Sookie Stackhouse series. Yes, maybe not a dramatic one, but something in the tone changes. The plot itself is actually pretty straightforward: witches are targeting vampires, and in the middle of all that, Eric Northman loses his memory. From there, things don’t exactly explode into action. Instead, the story settles into something quieter, more character-focused, almost like the chaos is happening off to the side while the real story unfolds in smaller, more personal moments. 

With Eric suddenly stripped of everything that makes him… well, Eric, Sookie ends up taking care of him. It puts her in a position we haven’t really seen before. She’s not just reacting to him or pushing back against his authority—she’s guiding him, protecting him, even trying to understand him. And what she finds is a version of Eric that feels softer, more open, maybe even a little disarming. Whether that’s the “real” Eric or just a temporary version of him is something the book kind of plays with. 

The witch storyline is there throughout, and it does add tension, but I kept feeling like it never fully took center stage. It’s almost like it exists to keep the plot moving while the book quietly focuses on relationships instead. That might work really well for some readers, but I found myself occasionally wishing for a bit more urgency.

Another thing that stood out was who wasn’t there. Jason is basically missing (for plot reasons), and Bill is… barely present. It gives the book a very different feel compared to earlier installments. The world feels smaller, more contained, which isn’t necessarily a bad thing, but it does change the balance quite a bit.

I’ll be honest, this one took me longer to finish than I thought it would. I can’t even point to a single reason. It’s not slow, exactly, but the pacing has this uneven rhythm. Some parts pulled me in, others just sort of drifted by. I’d pick it up, read a bit, then put it down again—not out of boredom, just… a lack of urgency, maybe.

That said, Eric really is the highlight here. This is probably the most focus he’s had so far, or at least the most revealing version of him. Seeing him without his usual confidence makes him feel more human than ever. It works, even if the amnesia angle itself feels a bit too convenient at times.

The romance also takes a noticeable step forward in this book. There’s more of it, and it’s more direct than in previous installments. Sookie and Eric’s connection gets space to develop in a way that feels intentional, not just hinted at. I liked that… but I can also see how it might come at the expense of the main plot, which ends up feeling a little secondary.

On the flip side, the reduced role of Bill—and the near absence of Jason—does leave a gap. If you’re attached to those characters, you’ll feel it. And while the witch conflict is interesting on paper, it never quite lands with the impact it probably should have. It’s there, it works, but it doesn’t linger.

I think a rating of 3.5 stars is fair for this one. It’s enjoyable, especially if you’re invested in Eric, and it definitely leans more into character than plot. Whether that works for you probably depends on what you’re reading the series for. For me, it worked… just not all the way.

Key Themes

• Identity
• Power
• Vulnerability
• Love
• Control

Goodbye, Things

 Fumio Sasaki

Rating: ⭐⭐⭐⭐
Genre: Nonfiction

Goodbye, Things is one of those books that either will convince you to make changes in your life by taking the first step or will make you totally dismiss the whole idea of what it suggests and go on with your life as it is without taking its advice. There is no right or wrong here, because it is your life and you know better what is right or wrong for you.

The author gets very personal in this book by giving his take on minimalism. He blends practical advice with his own reflections on why we clutter our lives in the first place. While the book may seem to be mainly about decluttering your house, I feel it is more about decluttering your mind first—setting your priorities and understanding what is more important and what you can let go of to save your energy and money.

The great thing is that the book is very easy to read and understand. I alternated between reading and listening to the audiobook, and both formats worked well for me in reinforcing the message. The content is quite easy to digest and makes you pause and think of the possibilities if you applied the idea to your own life.

One of the strongest aspects of the book is how motivational it is. I won’t lie here when I say that this book has motivated me and made me want to declutter many unnecessary things in my house. I found that the author’s honesty about less doesn’t mean less but can be more is very fascinating and, at times, even liberating. 

While reading the book, I was thinking about my book shelves, movie collections, and other items. Yes, I have been unhauling things lately that I don’t plan to read or watch again—especially those that have less reread or rewatch value. It can be difficult at first to part with your things at first, but eventually it will feel like a very freeing process. The idea that everything we own, actually, we don’t own but are renting, that the book suggests is true if you think about it. We come to this world without a thing, and we leave it empty-handed. Whatever we leave will be passed to someone else. 

I’ve also begun applying the same mindset to other areas—clothes, electronics, and even unnecessary furniture. The book highlights something simple yet powerful: the more you own, the more complicated life becomes. Managing, organizing, cleaning, and even thinking about all those items adds a kind of invisible weight that you don’t fully notice until you start removing it.

I feel minimalism should not stop at physical things but also should include digital decluttering, which the author mentions too. Organizing and decluttering your PC or mobile can be a starting point before you go for the physical items. 

The book is not without downsides. Those downsides can differ from one reader to another. I don’t think that everything the author suggested could be practical for everyone. People have different lifestyles and different living situations. There was also a bit of repetition, which I find is a flaw of many nonfiction books. 

Overall, Goodbye, Things was a positive reading experience for me. It’s not the perfect universal guide because those do not exist, but without a doubt, I found it to be impactful and convincing. You don’t need to follow every piece of advice by the author. However, I bet you will find a few of his ideas that can help you in making your life less complicated than it is with so many things surrounding you. It is definitely worth reading. 

Key Themes:

• Minimalism
• Freedom
• Identity
• Possessions
• Decluttering
• Ownership

Pandemonium

 Lauren Oliver

Rating: ⭐⭐½
Genre: Dystopia + Young Adult + Romance

This is the second book in the Delirium series. The story continues with Lena escaping the society that was controlling her, including her emotions, and running in the Wilds, where she is forced to survive in the harshest conditions. Living in such conditions with other fugitives who rejected that same system is a big challenge. Every single day is a test of her endurance, resilience, and identity. 

Unlike the first book, which was linear, Pandemonium is split into two timelines: “Then” that is the period which follows Lena’s life in the Wilds after her escape. “Now” is the time Lena is taking a new identity and working in disguise for the Resistance. In the “Now” period, Lena becomes involved with Julian, the son of a powerful figure tied to the old system, complicating both her mission and her emotions. Meanwhile, the Resistance prepares for larger moves against the government, but nothing is simple or stable.

As usual for young adult books of that era, a love triangle is thrown into the mix. It feels very cliché and predictable, and honestly, it doesn’t add much beyond manufactured tension. The emotional conflict often feels like it is being prioritized over the actual dystopian world-building, which weakens some of the stakes.

While the pacing is noticeably better than book one, the dual timeline structure didn’t really work for me. I was genuinely tempted more than once to just read all the “Then” chapters first and then go through the “Now” sections afterward. The constant switching broke the flow instead of enhancing it.

I can clearly see Lena’s character development and how she becomes more decisive and resilient compared to the first book. However, the supporting characters don’t get the same attention for such development or growth. To me, they often felt like they were fixed most of the time. I was hoping for some meaningful evolution. 

Many parts of the book also felt repetitive, especially in the Wilds sections, where survival struggles and camp life start to blend together after a while. And with Book 1 ending on a cliffhanger and Book 2 doing the same, it becomes frustrating. This isn’t a TV series—each book should feel like a complete story rather than a setup for the next installment.

Overall, Pandemonium is an improvement in pacing and gives Lena a stronger arc, but it is weighed down by clichés, structural choices that don’t fully land, repetitive sections, and an overreliance on cliffhangers. A 2.5-star read: readable, sometimes engaging, but uneven and frustrating in key areas. Now only book three is left to finish this series. 

Key Themes

• Love 
• Control
• Survival
• Resilience
• Freedom
• Grief
• Resistance

The Lincoln Lawyer

 Michael Connelly

Rating: ⭐⭐⭐ ½

Genre: Mystery Thriller

Mickey Haller is a criminal defense attorney in Los Angeles who operates in a very unusual way—he works out of the back seat of his Lincoln car, moving between courtrooms, clients, and jails. His world is built on plea deals, shifting stories, and reading people fast enough to stay ahead of the system. He’s not the polished courtroom hero type; he’s more of a street-smart strategist trying to survive inside a very messy legal ecosystem.

The story kicks into motion when Haller is hired by a wealthy client accused of a violent crime. At first glance, the case looks straightforward, almost like a routine high-paying defense job. The more Mickey digs deeper, the more he notices all the inconsistencies, which suggest that the situation is far more complex than he anticipated. He feels there is a lot of manipulation that is going on. 

In my opinion, the strongest aspect of the book is Mickey Haller himself. He’s a very interesting protagonist. His character arc is very engaging and has lots of charisma. Yes, there is moral ambiguity involved, but that made him more human. He doesn’t feel idealized—he feels like someone shaped by the compromises of his profession, which makes his decisions interesting even when they’re questionable.

The legal atmosphere is another highlight. It felt very authentic to me, though I should admit I’m not in the legal field, so this is purely based on perception rather than expertise. Still, the procedures, negotiations, and courtroom dynamics gave the story a grounded, believable texture that helped anchor the more dramatic twists.

The mystery at the core of the book is strong and well-structured, and the pacing keeps shifting between medium and fast, which helps maintain momentum without feeling overly rushed. That said, I did already watch the movie adaptation a few years ago starring Matthew McConaughey, so I suspect the shock value of some twists didn’t land as strongly for me as they might have otherwise. That’s not really a flaw in the book itself, more a case of me experiencing the story in the wrong order.

I also alternated between reading and listening to the audiobook, and I can’t entirely tell if that influenced my overall rating. The experience was smooth either way, but switching formats might have slightly changed my immersion at certain points. 

Overall, I’d give it a solid 3.5 stars. It’s a strong legal thriller with a compelling protagonist, an engaging mystery, and a consistently moving pace. I’m also aware there’s a Netflix adaptation of the story, which I plan to watch at some point. I’m curious to see how it compares to the book and the movie adaptation, and I am eager to know if the whole TV show covers this particular mystery or if it continues with the other books in the series.

Key Themes

• Justice
• Legal System
• Moral Ambiguity
• Power
• Inequality

Delirium

 Lauren Oliver

Rating: ⭐⭐⭐ 

Genre: Dystopia + Young Adult + Romance

This is my first time reading a novel by Lauren Oliver, despite having owned the entire Delirium trilogy in hardcover first editions for years. For whatever reason, I kept putting it off, but finally decided to start the series now. Going in, I had some expectations based on the popularity of YA dystopian fiction, and while the book didn’t quite live up to all of them, it still offered a reasonably engaging experience overall.

The story is about a dystopian society in which love is considered a disease. People need to undergo a procedure in their adulthood to eliminate it once and for all. The protagonist, Lena, is a girl who believes in this system, and she is very eager to get fixed and cured, but when she meets Alex, her life changes completely.

The two grow closer, and the story starts shifting into a romance that is forbidden by their society. Here is when Lena questions her society and their view on love and the way they claim it is a disease that people need to be cured from. As the story progresses, it turns into a dramatic conclusion that puts Lena on the ground where she has to face a new reality. The ending has a cliffhanger that sets up the continuation of the series.

What really attracted me to the story is its premise. I can easily say it is the strongest aspect of the novel. I think the idea of love being treated as a disease is not just intriguing but also gives lots of potential for storytelling, as it can offer lots of emotional and philosophical exploration. I feel this idea would be a great concept for a movie or TV show adaptation.

Where the book suffers is in its first half—it’s slow and takes a long time to get to the point where the plot starts moving. Lots of that part focuses on the protagonist’s inner thoughts about herself, her family, her friend Hanna, and society. Yes, it is important for character development, but the repetitions felt tedious for me. 

I also felt that the book was somewhat overwritten for what it ultimately delivers. Unfortunately, a lot of those pages were about Lena’s perspective and emotional state rather than worldbuilding. This is expected in most dystopian books of that era. For a story built on such a strong dystopian concept, I expected a deeper exploration of how this society actually functions beyond its core idea.

That said, the writing itself is very accessible. Despite the book’s length, it reads quickly and smoothly. The prose is easy to follow, making it a fast read once you settle into the rhythm, especially in the latter half, where the pacing improves significantly.

The novel ends on a cliffhanger, and I find myself a bit conflicted about it. I can’t say it strongly motivates me to continue immediately, but at the same time, it doesn’t put me off either. Since I already own the second and third books in the series, I will continue with them. Overall, this was an okay read—interesting in concept, uneven in execution, but still worth experiencing.

Key Themes

• Love
• Control
• Fear
• Dystopia
• Emotional Awakening
• Rebilion
• Resistance
• Self-Discovery

Carry Me to My Grave

 Christopher Golden

Rating: ⭐⭐⭐⭐ 

Genre: Horror

Carry Me to My Grave opens with a premise that doesn’t waste time pulling you in. Maggie Wise’s death sets the stage for a family reunion no one wanted. Her son Malcolm and daughter-in-law Violet will need to move her body across state lines, a task that sounds straightforward but quickly feels heavier, almost cursed. Soon, the grim road trip becomes something darker in which the truth about Maggie refuses to stay hidden.

Right from the beginning, I knew their journey would be unsettling. Each traveler drags along their own baggage—resentments, guilt, half‑spoken grievances—and the road seems to feed on it. It feels like a narrowing corridor where something old and hostile is watching. The hints of truth that surface along the way don’t clarify much.

The tension keeps building until all the people involved in this unknown adventure are only thinking about survival while completing the task they were asked by Maggie. The family isn’t only running from whatever stalks them; they’re also colliding with the fractures in their own relationships. The horror works on two levels: the external threat and the internal unraveling. That mix of supernatural menace and emotional reckoning makes the climax hit harder, where past choices and present danger crash together.

Atmosphere is easily the book’s strongest card. From page one, there’s a weight to the scenes—a damp, suffocating mood that affects you as a reader as if you were with the characters. The settings are cold, isolated, and stripped of comfort. The dread doesn’t rely on jump scares; it creeps in, lingers, and makes you uneasy long after you’ve closed the chapter. It reminded me of the way certain films let the silence and emptiness do most of the work.

The mystery is handled with restraint. Information is withheld just enough to keep you guessing, and once the narrative picks up speed, it rarely slows down. The pacing may feel relentless to some readers, but that urgency matches the story’s sense of pursuit. It’s the kind of book you tell yourself you’ll read “just one more chapter,” and suddenly it’s 2 a.m.

The vampire mythology deserves mention. These aren’t the brooding, romantic figures pop culture has conditioned us to expect. They’re primal, disturbing, and stripped of glamour. The lore gives them a weight that feels ancient, which in turn raises the stakes beyond a typical monster chase. It’s unsettling in a way that makes you rethink what “vampire” even means.

What caught me off guard was how much the novel leans into family dysfunction. The realism of strained bonds, be it siblings who can’t forgive or parents who carry unspoken regrets and resentments, all add lots of depth and tension to the horror. And the historical backdrop adds texture, grounding the story in a time and place that feels lived-in rather than decorative.

The characters themselves carry the weight well. Their choices feel flawed but human, and their voices don’t blur together. Having read Road of Bones (4 stars) and The House of Last Resort (3 stars), this one stands out as the author’s strongest effort so far. It balances atmosphere, character, and horror in a way that feels earned. For me, it lands at a solid 4 stars. It is memorable, unsettling, and worth recommending.

Many thanks to NetGalley and the publishers for the ARC of this book.

Key Themes

• Dysfunctional Family
• Reconciliation
• Guilt
• Grief
• Moral Consequences
• Survival
• Isolation
• Vampires